Writers often ask me when they should consult a developmental editor.  The concerns go something like this: I’ve heard that literary agents and commercial publishers don’t want to see a book until it’s already edited and ready for production. And if I decide to self-publish, I’m out on a limb by myself. So when during [...]

Here’s a situation that editors encounter frequently: manuscripts with a large cast of potentially interesting characters, sparkling dialogue, and the glimmer of ideas churning just beneath the surface. But after a little while the scenes become repetitious, the characters and their machinations turn formulaic — and reading becomes a chore. Books that keep readers awake [...]

Q: How can i be sure my readers will understand my core message, my purpose for writing the book in the first place – unless I help out with a little commentary or explanation? A: Authors need to respect their readers and allow them their own reactions to the narrative. This issue comes up frequently [...]

Q: An agent said my novel was “dense, over-plotted and difficult to follow.” I’m not sure what to do. A: You might have too much action and not enough content. If that’s the problem, you need to punctuate any rapid fire twists and turns with dialogue, description, and the kind of pacing that’s easier to [...]

OK, it’s a trick question. The answer is that every “I” narrative has not one, but two points of view. Think about it: You – the writer – embody the second POV. You stand behind the curtain of literary creativity, directing everything that happens in the story; what to include and what not, what other [...]

Q: There’s so much for a writer to think about: platform, query letters, agents, marketing. What’s the most important thing to focus on? A: That’s easy. Focus on the content of your book. There’s nothing more important. Content is king Before all else, keep your attention on the core concept and execution of your book [...]

Q:  There’s some background information I need to include so my narrative makes more sense.  How can I do that without breaking the flow of the story? A:  Many writers struggle with blending in historical context and a who’s who of key characters from the past whose influence has led up to their protagonist’s current [...]

Q: Someone in my writers group complained that my plot is hard to follow. Can you help? A: You might need to work on the transitions — the glue that makes a seamless narrative.  You might need to add a few words of clarification or entire new passages to bridge the gaps. Your reader could [...]

Q: I haven’t had any luck finding a publisher for my book. What’s the secret to getting in the door? A: Here’s my advice on how you can beat the odds and overcome the biggest reasons most books get rejected. But first, I’d like to give you an idea of what it’s like behind the [...]

Q : Everyone says I need to wrap up my manuscript and stop writing already. But I’m really stuck.  Any advice? A : This isn’t unusual. You may have taken a wrong turn early in the story as a result of poor planning. Or you may have painted yourself into a corner. Or you could [...]