Q: Is it ok to write a book that crosses genre lines, like a mystery with time travel, or a romance with extraterrestrials? A: The short answer is “Yes, absolutely!” That’s the truth, despite the fear that agents and publishers will avoid a book that falls into more than one genre. But since this question [...]



» Posts in the Craft of Writing Category:
Grand finales: Tips for writing great endings
Writing a great ending for your book is just as important as a dynamite opening that rivets our attention and compels us to keep turning those pages. A well-written book requires some kind of symphonic climax that resonates in our heads and hearts like the famous 40-second E major chord at the end of the [...]
Fear of editors
Are you a writer who worries about working with a developmental editor for fear of losing control over the project? You’re not alone If so, you’re not the only one. One writer put it this way recently on an online forum: “I worry that an editor will erase my voice.” Another said, “I fear I’ll [...]
When do you need an editor?
Writers often ask me when they should consult a developmental editor. The concerns go something like this: I’ve heard that literary agents and commercial publishers don’t want to see a book until it’s already edited and ready for production. And if I decide to self-publish, I’m out on a limb by myself. So when during [...]
Wake up your readers! How to thicken a plot
Here’s a situation that editors encounter frequently: manuscripts with a large cast of potentially interesting characters, sparkling dialogue, and the glimmer of ideas churning just beneath the surface. But after a little while the scenes become repetitious, the characters and their machinations turn formulaic — and reading becomes a chore. Books that keep readers awake [...]
Ask the editor: Trusting the reader
Q: How can i be sure my readers will understand my core message, my purpose for writing the book in the first place – unless I help out with a little commentary or explanation? A: Authors need to respect their readers and allow them their own reactions to the narrative. This issue comes up frequently [...]
Tweets, texts & posts: New sources for memoir writers
Tweets, text messages, blog posts, and missives left on forums, in comments and on social networks have become a rich mother lode of raw personal material to mine for authors who are writing memoirs. It’s the way we communicate now It’s how we express and absorb information and emotion, in quick short takes, from the [...]
The writer’s toolkit: Breaking the rules of the narrative arc
Feeling boxed in by the rules and expectations of the conventional narrative arc? Tired of the old 1st act, 2nd act, 3rd act routine? Itching to break out and try something new? If so, this post is for you. Ordinarily, I’m a staunch believer in the basics of linear story structure: keep it simple, show [...]
What makes writers special: An editor’s valentine
All good editors love working with writers. To us, writers are special people, compelled to put words together as they look at the world. They can’t stop, must return to whatever is in their heads, what they’re thinking and feeling, making sense of their lives, to explain, to teach, so write they must. I spend [...]
Ask the editor: How to untangle a plot
Q: An agent said my novel was “dense, over-plotted and difficult to follow.” I’m not sure what to do. A: You might have too much action and not enough content. If that’s the problem, you need to punctuate any rapid fire twists and turns with dialogue, description, and the kind of pacing that’s easier to [...]

